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Sibaprasad Karchaudhuri’s The Dream of an Idiot and another exhibition occupy centre stage at Emami Art

. Curated by Ushmita Sahu, the exhibition follows the extraordinary yet not-so-widely-known abstract Bengali artist’s journey who has put in a great effort to develop a unique abstract language

Farah Khatoon Published 31.07.23, 11:52 AM
Sibaprasad Karchaudhuri poses in front of one of his artworks. “I love to dream and you know it’s difficult to decode a dream, though I would love to see the result of decoding a dream. The time, the environment and the state of mind significantly impacted my art practice, choice of materials and recreating forms and figures. In my art journey, I had to pass through many gateways of styles and shapes mixed with the nuances of primitivism. My works revolved in an elliptic orbit centring around the primary forms and figures of primaeval days, sometimes very near to it and sometimes far away. I wanted to stretch myself out to this area of unknown mystery, to another reality,” said Sibaprasad on the opening day of the exhibition. 

Sibaprasad Karchaudhuri poses in front of one of his artworks. “I love to dream and you know it’s difficult to decode a dream, though I would love to see the result of decoding a dream. The time, the environment and the state of mind significantly impacted my art practice, choice of materials and recreating forms and figures. In my art journey, I had to pass through many gateways of styles and shapes mixed with the nuances of primitivism. My works revolved in an elliptic orbit centring around the primary forms and figures of primaeval days, sometimes very near to it and sometimes far away. I wanted to stretch myself out to this area of unknown mystery, to another reality,” said Sibaprasad on the opening day of the exhibition.  Pictures: Biswajit Kundu

Before even one checks out the lines and forms of Sibaprasad Karchaudhuri’s artwork on display at Emami Art, its title captures the imagination. The Dream of an Idiot — playful and whimscal and thought by the artist are fragments of his dream on tapestries hanging from the ceiling and paintings, prints and drawings adorning the walls. Curated by Ushmita Sahu, the exhibition follows the extraordinary yet not-so-widely-known abstract Bengali artist’s journey who has put in a great effort to develop a unique abstract language. He was attracted to abstract art early on as an Applied Arts student at the Government College of Art and Craft, Calcutta.

In the exhibition, he plays with geometric forms, primarily triangles in fluid form. He breaks it and unbreaks it, to form more simple yet complex patterns that may or may not be a fragment of his dream. Karchaudhuri’s notable works are characterised by his subtle experiment with elementary forms and the use of vibrant colours. He has not entirely abandoned the visible world, but it appears in his work as reduced abstract forms combined with a sense of place and memory. The exhibition will be on till September 30.

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“We are delighted to showcase Sibaprasad Karchaudhuri, one of the most significant Indian artists working in the language of abstraction, at Emami Art. Spanning over four decades in which Karchaudhuri has been at his most productive, the exhibition shows his works in various mediums, charting the progression of practice from his semi-abstract early pen and ink drawings to his chromatically vibrant later works. His unique tapestries are the show’s added attraction. This survey exhibition of such an important artist is an excellent opportunity for art lovers and students,” said Richa Agarwal, CEO Emami Art.

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