Workshops and masterclasses led by experts, aspiring playwrights and theatre enthusiasts with inventive minds discussed contemporary theatre practices. Some distinguished scholars delved more into Brecht’s theatrical propositions. The festival saw the participation of personalities like Anjan Dutt, film director; Maya Krishna Rao, theatre practitioner and activist; Pabitra Sarkar, academicians and writer; Padma Shri Neelam Mansingh Chowdhry, theatre director; Nissar Allana, renowned set designer; S Raghunandana, theatre director and more such dignitaries
‘Death Mask’, an installation by Hiran Mitra exploring eastern India’s mourning tradition of imprinting feet with ‘alta’ dye was presented. This art form bridges the gap between life and death by symbolising an intimate connection to the Earth. It defies isolation, embraces multilateral perspectives, and represents emotions like anger, love, and ambition. “Hiran Mitra’s installation offers a rare opportunity to the audience to become part of this artistic practice, indulge in dialogue and reinterpret the art work itself. It's a true Brechtian experience. Breaking the fourth wall is just this to interact directly with your audience,” said Supriyo Sen, award winning filmmaker, who directed 'Tangra Blues'
KCC chairperson Richa Agarwal said: “This festival is a tribute to the remarkable contributions of Brecht to the world of theatre, literature, and critical thinking. Through a series of workshops, panel discussions, performances, and exhibitions, we not only honoured Brecht's genius but we also aimed to ignite a renewed passion for critical thinking and artistic exploration.”
