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At CIMA, practitioners of art continue to ask difficult questions

An engaging panel discussion amidst the ongoing exhibition, Shape Without Form Shade Without Colour, brought forth some interesting perspectives

My Kolkata Web Desk Published 08.12.24, 12:23 PM
Niladri Ranjan Chatterjee (left), professor of English, Kalyani University, moderated an interesting discussion centered on the question, “Is it art if it doesn’t disturb?”, between theatre and film director Suman Mukhopadhyay (centre) and assistant professor of visual arts at Kalyani University, Ritendra Roy (right) at CIMA amid the ongoing exhibition, ‘Shape Without Form, Shade Without Colour’. Behind the panellists hangs an untitled artwork by Chittrovanu Mazumdar
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Niladri Ranjan Chatterjee (left), professor of English, Kalyani University, moderated an interesting discussion centered on the question, “Is it art if it doesn’t disturb?”, between theatre and film director Suman Mukhopadhyay (centre) and assistant professor of visual arts at Kalyani University, Ritendra Roy (right) at CIMA amid the ongoing exhibition, ‘Shape Without Form, Shade Without Colour’. Behind the panellists hangs an untitled artwork by Chittrovanu Mazumdar

Photos: Soumyajit Dey
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Chief administrator of CIMA, Pratiti Basu Sarkar, welcomed the panellists and introduced the session
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Chief administrator of CIMA, Pratiti Basu Sarkar, welcomed the panellists and introduced the session

Suman Mukhopadhyay addressed the audience
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Suman Mukhopadhyay addressed the audience

Ritendra Roy pondered the central question from the perspective of the visual arts
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Ritendra Roy pondered the central question from the perspective of the visual arts

Niladri Ranjan Chatterjee offered some interesting perspectives on the subject
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Niladri Ranjan Chatterjee offered some interesting perspectives on the subject

The audience listened attentively to the panellists. To their left is an artwork by Kingshuk Sarkar titled ‘Barood’ (2024)
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The audience listened attentively to the panellists. To their left is an artwork by Kingshuk Sarkar titled ‘Barood’ (2024)

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