Vijay Sethupathi has delivered yet another powerful performance in his 50th film, Maharaja, streaming on Netflix at No. 1 in India. The action-thriller is a moving exploration of grief, resilience and the extent to which a father will go for his child. Here’s why Maharaja deserves a prominent spot on your watchlist.

Maharaja (Vijay Sethupathi) is not your typical hero. He’s a middle-aged barber who’s satisfied with his simple life in Chennai revolving around his work and his daughter, Jyothi (Sachana Namidass). Maharaja’s life takes a turn when Lakshmi, a dustbin close to his heart, goes missing. The incident, though trivial to the people around him, becomes a catalyst for a desperate struggle for justice.

Maharaja’s quest to find Lakshmi becomes a scathing commentary on a system that fails its most vulnerable citizens. The police dismiss his complaint, highlighting the apathy and corruption that often plague bureaucracies. This initial encounter sets the stage for Maharaja’s transformation, forcing him to confront a world that seems stacked against him.

Maharaja and Jyothi’s scenes together are tender and heartwarming, reminding us of the sacrifices parents make for their children. Jyothi’s unwavering love fuels Maharaja's determination, making his journey all the more compelling.

Sethupathi’s portrayal of Maharaja’s transformation is a masterclass in acting, specially the masking of his pain with a steely determination.

Filmmaker Anurag Kashyap plays the main antagonist, Selvam. Though unafraid to kill, he is also portrayed as a loving family man. Anurag delivers a powerful performance that captures this duality. Cinematographer-turned-actor Natarajan Subramanian is perfect as a corrupt police officer who assists Maharaja in his search for Lakshmi for a bribe.

Director Nithilan Swaminathan crafts a compelling non-linear narrative that is both character-driven and plot-focused. In the first half, multiple parallel stories unfold alongside the main plot, which can be confusing at times. However, as the movie progresses, these connections become clearer. Swaminathan takes his time to construct a world that deepens our understanding and curiosity about Maharaja, his daughter, and the significance of Lakshmi to him.

The action sequences are meticulously choreographed and executed with a raw intensity. Unlike action for the sake of spectacle, the violence here serves a narrative purpose, showcasing Maharaja’s desperation and the stakes involved.

The cinematography captures the bustling streets of Chennai and the grittier underbelly with equal finesse. The background score complements the film’s mood.