If there is one name that stands head and shoulders above other actors in Tollywood, it is that of Uttam Kumar, the legendary "Mahanayak" of Bengali cinema. Even years after his passing, that laurel shines bright. His impact on the industry and his unforgettable performances continue to inspire generations of actors and filmmakers alike. He possessed an unparalleled charisma that captivated audiences from the moment he appeared on screen. His commanding presence and remarkable versatility allowed him to effortlessly portray a wide range of characters, from romantic leads to intense dramatic roles. Be it a heartwarming romance or a hard-hitting social drama, a suave sharp investigator, a hilarious comedian, Uttam Kumar brought authenticity and depth to his performances that were truly remarkable. He had an innate understanding of his characters and a deep commitment to his craft. His impeccable timing, dedication to perfection was evident in every scene, and his commitment to his roles inspired everyone around him.
He not only elevated the craft of acting but also played a significant role in shaping the industry itself. His collaboration with the legendary filmmaker Satyajit Ray in films like Nayak and Chiriyakhana showcased his range as an actor and brought a new level of artistic excellence to Bengali cinema.The chemistry between Uttam Kumar and Suchitra Sen, another iconic actress of the time, created an enchanting on-screen magic that has left an indelible mark on the history of Indian cinema. The news of Uttam Kumar's untimely demise on July 24, 43 years ago left the entire industry and his countless fans in a state of shock and mourning. The void he left behind is immeasurable. There were probably no successors to fill those worthy shoes.
However, his legacy lives on through the timeless films he left behind. Every time we watch one of his movies, we are reminded of his immense talent and the impact he had on the world of Bengali cinema. He may no longer be with us, but his presence will forever be felt in the hearts of cinema lovers and his name will forever be etched in the annals of Indian film history.
KLIKK has curated a fabulous and impressive bouquet of 31 films of the legend. On his 43rd passing away anniversary. Interestingly naming it as 43/31 Uttam Smarani. A tribute to his landmark films for 31 days of July. Each film has been painstakingly digitally restored in 4k.
Here are some of those momentous memories traversing that timeline of classic Uttam Kumar films.
Ekti Raat: Ekti Raat is a Bengali film that revolves around the journey of Shusovan and Anita, a married couple. Anita suspects her husband of infidelity, leading to doubts and misunderstandings between them. On a trip to visit their friend Digbijoy, Shusovan misses the train, and Anita boards it alone. Shusovan meets Santana De, the wife of a politician and they end up traveling together. Throughout their journey, they encounter comedic incidents while trying to hide their true identities. Meanwhile, Anita's suspicions lead her parents to search for Shusovan and Santana. Eventually, the truth is revealed, and the couples rediscover their love and faith in each other.
Rajkumari: Rajkumari narrates the story of Manju, whose strict mother disapproves of her relationship with Nirmal, a singer. Nirmal approaches Manju's mother to seek permission to sing a song dedicated to Manju. Despite her mother's refusal, Manju and Nirmal continue to meet secretly at Nirmal's sister's house. Their love blossoms, but their happiness is short-lived when Nirmal is blinded in a car accident. Manju discovers the truth and realises the depth of their love. The film culminates in an emotional reunion where Manju and Nirmal embrace each other in happiness.
Sesh Anka: In Sesh Anka, a widower is about to remarry, when another woman claims to be his first wife. The film delves into the complexities of relationships, trust and the repercussions of a past that resurfaces unexpectedly. The narrative follows the dramatic events that unfold as the widower's true marital status becomes a subject of contention. The movie explores themes of love, loyalty and the consequences of hidden secrets.
Mon Niye: Mon Niye revolves around Amitava Chowdhury, an author and businessman who leads a quintessentially busy life. Amitava's sister suffers from a special type of polio, and his attention is divided between his work and caring for her. When he meets Suparna, they fall in love and they decide to marry. However, Suparna faces difficulties adapting to Amitava's household, especially with his sister's disapproval. Tragedy strikes during a picnic, resulting in the death of Amitava's sister. What appears to be an accident is eventually revealed to be a premeditated murder. Amitava explains the truth in court and justice is served.
Chowringhee: Chowringhee revolves around the professional and personal saga of Sata Bose, the receptionist at the prestigious Hotel Shahjahan and the diverse range of characters associated with the hotel. The film explores their individual struggles, emotions, trials and tribulations as they navigate their lives within the hotel's social milieu. From the hotel employees to prominent personalities of society, the movie portrays a tapestry of human experiences, highlighting the complexities of relationships and human nature in a bustling urban setting.
Sanyasi Raja: The film revolves around the life of zamindar Surya Kishor Chowdhury, a benevolent and kind-hearted man who is deeply loved by the people of his estate. Surya Kishor is not only an avid chess player but also possesses a remarkable singing talent. Despite his virtuous nature, he often neglects his wife Indu's emotional needs. Dr. Bijoy Chakrabarty, who had received assistance from Surya Kishor during his student days, takes advantage of the zamindar's trust and seeks refuge in the palace. In a shocking turn of events, Dr. Bijoy murders Surya Kishor and manipulates Indu into keeping silent about the heinous act. Sanyasi Raja explores themes of betrayal, redemption and the pursuit of inner peace. Uttam Kumar's portrayal of Surya Kishor showcases his versatility as an actor, capturing the character's transition from a caring zamindar to a contemplative sanyasi. The movie captivates audiences with its emotional depth and thought-provoking narrative, making it a significant addition to Uttam Kumar's filmography.
I observed they have even recreated the worn-out old poster fonts and images meticulously to commemorate this tribute festival quite aptly named 43/31 Uttam Smarani. From a directorial and cinematography perspective, I'd say Uttam Kumar was not only an inspiration but an institution in himself.
He moulded himself to the script's narrative remarkably and dextrously adapted his body language, camera angles et al. And made it look so impeccable and simple on screen. His lip-syncing to a vast list of popular songs too looks fresh even today. From suave to saucy to a downright simpleton he makes it look like a breeze.
Nayak put Uttam Kumar on the pedestal of a cerebral actor and film critics and scholars started taking him more seriously than just a romantic hero. Ray followed up Nayak with Chiriyakhana where Uttam played Byomkesh, the suave sleuth. In the same year, Uttam played Anthony Kabiyal in the film Anthony Firingi, an acting masterpiece which along with his histrionics in Chiriyakhana fetched him the Best Actor award (named as the Bharat Award at that time) at the National Film Awards, India.
If filmy folklore were to be believed, it is said that Uttam Kumar wanted to die with his boots on. A brief hospitalisation following a fatal heart attack on the sets of Ogo Bodhu Sundari, was the curtain call on the legend’s remarkable journey on July 24, 1980. He passed away while working in a laugh riot. Ogo Bodhu Sundari. An adaptation of Pygmalion.The range over the decades is phenomenal and unparalleled. The child-like enthusiasm and magnetic charisma shone through on and off-screen.
After his demise Satyajit Ray paid his tribute in a rather touching note — “There isn’t – there won’t be another hero like him”.
