Not many theatre groups in Bengal have been able to practice and create theatre uninterruptedly during the lockdown. If Gobardanga Naksha is an exception, it is solely because of two factors. First, the group has invested in a fine performance space for itself that allows it to rehearse on its own terms. Secondly, it has been able to nurture a local audience base over the years that is loyal in its patronage. Thus, it is no surprise that Gobardanga Naksha has been able to come up with a series of plays, including Swarthopor. Directed by Ashis Das and written by Mainak Sengupta, the play is based on a short story by Sayantani Putatunda.

Swarthopor has nothing new to offer thematically, focusing on the much-visited topic of aged, lonely parents neglected by grown-up children caught up in their own lives. It also periodically veers into maudlin sentimentalism, slowing down the narrative flow.

In spite of this, Swarthopor was engaging, with the director making intelligent use of the performance space. The upper tier (used as balcony seating for other shows) becomes the roof of a house, while a window — otherwise kept closed — is left open to include a staircase within the performance zone. The high ceiling mimics a dark sky against which a flock of puppet birds (crafted by Partha Pratim Paul) takes flight. The two actors, Animesh Bhattacharya and Ramprasad Pal, fit well into their respective roles. A heartening aspect of the play is the insistence on including family birds and other animals within the narrative. Swarthopor may not be a masterpiece but is still a satisfying watch.